Showing posts with label JenniferLawrence. Show all posts
Showing posts with label JenniferLawrence. Show all posts

Friday, 23 May 2014

X-Men: Days of Future Past Review


A Blast From the Past

X-Men: Days of Future Past is an ambitious film uniting both members of the old cast from the original trilogy and the new younger faces of X-Men: First Class. The plot follows Logan aka Wolverine (Hugh Jackman) as he is sent back in time to the 1970's to prevent the assassination of Bolivar Trask (Peter Dinklage) and avert a dystopian future in which nearly all mutants have been hunted down and killed.

Although the plot follows the character of Wolverine for the most part, the true stars of the film are Mystique or Raven (Jennifer Lawrence) and Professor X (James McAvoy). Whereas Fassbender's Magneto stole the show in First Class, in this film McAvoy steals the limelight with a truly emotional character arc with one highlight especially being a scene shared with the future Professor X (Patrick Stewart) that contains some fantastic acting on both parts. It's a testament to the screenplay and the writers that the film mostly manages to juggle the high number of characters and complex plot relatively well. While it was nice to see some of the old cast return, they are very much left aside while the newer cast along with Jackman deal with events unfolding around them.


James McAvoy as Professor X

As with many great ensemble films, this film gives each character something to do while even introducing new characters in the process. One notable example is Quicksilver (Evan Peters) who has some truly humorous and spectacular sequences. The action is excellent and the Sentinels, particularly in the future, are a formidable foe. Bryan Singer returns to this franchise with his last film being X2 and admirably picks the mantle back up without any cause for concern. There is enough fan service there to please those who like the comics and enough story and character to keep the average cinema audience entertained. The film also contains enough lighter or comedic elements, an important point in a film about a dystopian future where there is a danger of too many darker themes.

Hugh Jackman as Wolverine and Michael Fassbender as Magneto

A minor issue I had with the film was that it did feel a little bloated. The X-men franchise is well known for its wide and varied cast. Part of the fun of these films is seeing all the different mutants, their powers and what they can do. But with new mutants introduced every film, you could see why this could be a problem. I was a little disappointed to see some characters from X-men First Class removed entirely from this plot, with their absence being explained away quite arbitrarily. In addition, many characters are reduced to simple cameos. It will be interesting to see how this is addressed in X-Men: Apocalypse which is slated for a 2016 release. And yes, there are moments that hint towards this next film, particularly if you stay for the end credits Easter egg.



Nevertheless, X-Men: Days of Future Past is a fantastic return to the X-Men franchise for Bryan Singer. Although some of the film feels like course correction after the much disliked X3, there is plenty here to enjoy. Xavier's relationship with Raven is a fascinating one and is explored more in this film, seeing Logan interact with past versions of characters is as amusing as it is interesting and the action looks great. If you're looking for an X-Men film done right, you could do a lot worse than Days of Future Past.


Tuesday, 4 February 2014

American Hustle Review

American Hustle is a film I personally didn't know much about other than it was based around con artists and set in the 70's. Directed by acclaimed director  David O. Russel, (The Fighter and Silver Linings Playbook) the film stars Christian Bale, Amy Adams, Jennifer Lawrence and Bradley Cooper. American Hustle is a stylish well-paced film that showcases some fantastic acting and is certainly one of Russel's best films.

The plot follows Irving Rosenfeld (Bale), a cunning conman who works with Sydney Prosser (Adams) to con money using a loans company as a cover. However, when Richie DeMaso (Cooper) enters the picture, Rosenfeld and Prosser are forced into compliance with the FBI which leads them into conning the mafia, powerbrokers and politicians. The plot moves along at a nice pace and rarely slows apart from the opening twenty or thirty minutes. The 70's backdrop for the film looks slick and well crafted from the sets to the period clothing all giving the film a tone that emphasises the plot and the world of con artists.

Bale as Irving Rosenfeld and Adams as Sydney Prosser

There's some fine acting on show here, with Adams' seductive Prosser being a particular highlight as you're never quite sure who's side she's on. Other members of the cast help too with some larger-than-life performances from Bradley Cooper's ambitious and over reaching DeMaso to Jennifer Lawrence's wild and unpredictable Rosalyn. Bale plays a more understated role in this film which at times seemed a little too overdone, at times I wasn't sure if he was less competent as a con artist than the likes of Prosser, but his talent does shine through nonetheless. The film also has a humorous tone at various points particularly with the scenes at the FBI with DeMaso and his overblown ego and Lawrence's outbursts.



The film often walks the line of the audience not knowing who is conning who and at times this becomes detrimental to the film as a whole as some sections were a little too complicated for me and I'm sure for others but some will delight in the unpredictable nature of the film and the subject of cons. I also found the ridiculousness of some of the 'plays' or methods of conning people a little too out there but these are small problems really.

Overall, I thought American Hustle was a slick and stylish movie with substance too thanks to great acting particularly from Amy Adams and Bradley Cooper. Although the plot became too bogged down for its own good at times, it did not stop the film from being enjoyable and an interesting take on the 1970's, con artists and is one of Russel's best films to date.